更新:2025-07-07 08:51
首映:2008-07-14(紐約首映) / 2008-07-18(美國)
年代:2008
時長:152分鐘
語言:英語,漢語普通話
評分:9.2
觀看數:11186
熱播指數:1031
來源網:三年影視
“蝙蝠俠:黑暗騎士”大師級的劇情片 道高一尺,魔高一丈
Let's get the hype over with now -- Heath Ledger's final screen performance as the Joker isn't good.It's not even great.It's utterly spectacular.
Macabre,malevolent and mesmerizing,the late actor's super-villain cements his all-too-brief reputation as a Young Hollywood Great.But more on him later.
Dark,deep,chillingly scary yet visually audacious,Knight represents the sharpest work yet by director Christopher Nolan(Who,lest we forget,has still to make a bad film).But it's the psychological nitpickings that really get under our skin.
Of the five batman films this is by far the most complex,not to mention the most chillingly accurate take on the times in which we currently live.
Joker: these "civilized" people could act as cruel animals, if I just push a little bit. They are good not because they want to be good but they have to. Now that I clearly proved it to you. Yet you batman knew it and still protect them in your own expenses. How pathetic and ignorant!
Batman: no comment, just action.
(although he was betrayed , abandoned and finally being chased by the very people he cared, batman didn't give up on the fragile humans.) .....he reminds me of the almighty....Oh, my.
Anyway, don't get too serious and that was how the dark knight was born.
In the newly published deluxe edition of Joke(comics), the next criminal was pushing the philosophical boundary even further....
It looked like a normal guy, kind bookish actually. He says:
河上有兩艘船,船A滿載著一般平民,而船B滿載著罪犯。兩艘船都被安裝了定時炸彈,15分鐘后爆炸。但是兩艘船的船長手中各有一個遙控器,一旦按了遙控器上的按鈕,對方的船就會爆炸,而自己的船安然無恙。這是唯一能救自己的方法。那么,15分鐘后,情況會是什么樣子呢?
這就是小丑給大家出的大難題。我們現在來分析一下這個問題。由于添加了平民船和罪犯船的限制條件,涉及到罪犯和平民的道德區別,這個問題太復雜,所以不妨把這個問題簡化一下,船A和船B全都裝著平民。
那么,結局只有三種情況:
1、船A和船B都不按遙控器,時間到,兩艘船都爆炸。
2、船A先于船B按遙控器,船B爆炸,船A獲救。
3、船B先于船A按遙控器,船A爆炸,船B獲救。(3與2等價)
假設船上的人都是無限理性,那么船上的人會作一番利害分析:
如果我們不按遙控器,他們也不按,15分鐘過去,我們和他們都會死;
如果我們沒按遙控器,他們先按了,那我們就要死,他們會活;
如果我們按了遙控器,他們沒按,那么我們會活,他們會死。
照這樣來說,兩艘船都獲救是沒可能了,也沒有必要同歸于盡
這是與眾不同的蝙蝠俠故事,不同于你所看到的任何一部蝙蝠俠、動畫、電影。作者在面對這樣一個承載著太多歷史與能量的人物時,會被人物本身壓倒,或為了不偏離人物基調而淪為庸常,或為了標新立異而失卻人物的根本。而這部作品是如此不同,它容納了一個蝙蝠俠故事所必需的每一個要素,卻通過不同的思考與處理手法,一一顛覆。最為難能可貴的是,作者弗蘭克·米勒在對這個人物的重塑中,蝙蝠俠的面具剝下,讓讀者能夠更加切身地感受到蝙蝠面具下面,布魯斯·韋恩這個人物的固執、憤怒、傷痛、無奈,與偉大
“蝙蝠俠:黑暗騎士”大師級的劇情片 道高一尺,魔高一丈
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